[article] | Titre : | Lorenza Böttne, Requiem for the Norm | | Auteurs : | Didier Morelli, Auteur | | Année de publication : | 2021 | | Page(s) de l'article : | p. 100-101, (2 p.) | | Langues : | Français (fre) | | Résumé : | On a late Friday afternoon, just before closing, I found myself alone at the Leonard & Bina Ellen Art Gallery. The Concordia University art gallery is usually a bustling centre of student life in the large and ever-expanding urban campus; however, during the COVID-19 pandemic, the gallery’s regular entrance has been closed and visitors instead are ushered in through the oÁces and asked a series of protocolary health questions before being admitted into the space. The exhibition on view, Lorenza Böttner: Requiem for the Norm, curated by the writer and philosopher Paul B. Preciado, challenges the norms and conventions of society, embodiment, health, gender and art history. | | Collation, illustration : | (2 p.) | | Permalink : | https://www.bsad.eu/index.php?lvl=notice_display&id=77630 | | Localisation : |
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in Espace (Montréal) > n°129 (automne 2021) . - p. 100-101
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